Archive for November, 2012

we are among the ruins

and could return to life again,

it was their natural atmosphere

not daunted by either art or ideal politics

out in the open world,

she could use her sexuality to have power over him,

her orgasm and her crisis

amazing, the profound

fulfilled before they knew promise

a vibrating thrill inside the body

and the soul she could not get rid of,

succumbed to the strange male power

a well bred social anarchy

one of the curious obsolete,

she went by without looking at them,

alone he was a lost thing

whole act took place in a vacuum,

why should they last

with layers of dissolution

like geological strata,

sideways, and downwards the light fell on him

he was burningly, poignantly grateful for these

pieces of natural

as was his outcast soul,

they lit the candles in the hall

of unfinished tender flesh

dverselogo

an erasure poem derived from a novel that caused much controversy D H Lawrence Lady Chatterlys Lover

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Posted: November 30, 2012 in Uncategorized

3 Statements on Poetry by e e cummings


1

On the assumption that my technique is either complicated or original or both, the publishers have politely requested me to write an introduction to this book.

At least my theory of technique, if I have one, is very far from original; nor is it complicated. I can express it in fifteen words, by quoting The Eternal Question And Immortal Answer. of burlesk, viz., ‘Would you hit a woman with a child?-No, I’d hit her with a brick.’ Like the burlesk comedian, I am abnormally fond of that precision which creates movement.

If a poet is anybody, he is somebody to whom things made matter very little-somebody who is obsessed by Making. Like all obsessions, the Making obsession has disadvantages; for instance, my only interest in making money would be to make it. Fortunately, however, I should prefer to make almost anything else, including locomotives and roses. It is with roses and locomotives (not to mention acrobats Spring electricity Coney Island the 4th of July the eyes of mice and Niagara Falls) that my ‘poems’ are competing.

They are also competing with each other, with elephants, and with El Greco.

Ineluctable preoccupation with The Verb gives a poet one priceless advantage: whereas nonmakers must content themselves with the merely undeniable fact that two times two is four, he rejoices in a purely irresistible truth (to be found, in abbreviated costume, upon the title page of the present volume).

(Foreword from is 5)

2

The poems to come are for you and for me and are not for mostpeople.

-it’s no use trying to pretend that mostpeople and ourselves are alike. Mostpeople have less in common with ourselves than the squarerootofminusone. You and I are human beings:mostpeople are snobs.

Take the matter of being born. What does being born mean to mostpeople? Catastrophe unmitigated. Socialrevolution. The cultured aristocrat yanked out of his hyperexclusively ultra voluptuous superpalazzo,and dumped into an incredibly vulgar detentioncamp swarming with every conceivable species of undesirable organism. Mostpeople fancy a guaranteed birthproof safetysuit of nondestructible selflessness. If mostpeople were to be born twice they’d improbably call it dying-

you and I are not snobs. We can never be born enough. We are human beings;for whom birth is a supremely welcome mystery,the mystery of growing:the mystery which happens only and whenever we are faithful to ourselves. You and I wear the dangerous looseness of doom and find it becoming. Life,for eternal us,is now;and now is much too busy being a little more than everything to seem anything,catastrophic included.

Life,for mostpeople,simply isn’t. Take the socalled standardof living. What do mostpeople mean by ‘living’? They don’t mean living. They mean the latest and closest plural approximation to singular prenatal passivity which science,in its finite but unbounded wisdom,has succeeded in selling their wives. If science could fail,a mountain’s a mammal. Mostpeople’s wives can spot a genuine delusion of embryonic omnipotence immediately and will accept no substitutes.

-luckily for us,a mountain is a mammal. The plusorminus movie to end moving,the strictly scientific parlourgame of real

unreality,the tyranny conceived in misconception and dedicated to the proposition that every man is a woman and any woman a king,hasn’t a wheel to stand on. What their most synthetic not to mention transparent majesty,mrsadmr collective foetus,would improbably call a ghost is walking. He isn’t an undream of anaesthetized impersons,or a cosmic comfortstation,or a transcendentally sterilized lookiesoundiefeelietastiesmellie. He is a healthily complex,a naturally homogeneous,citizen of immortality. The now of his each pitying free imperfect gesture,his any birth or breathing,insults perfected inframortally millenniums of slavishness. He is a little more than everything,he is democracy; he is alive:he is ourselves.

Miracles are to come. With you I leave a remembrance of miracles: they are by somebody who can love and who shall be continually reborn,a human being;somebody who said to those near him,when his fingers would not hold a brush ‘tie it into my hand’-

nothing proving or sick or partial. Nothing false,nothing difficult or easy or small or colossal. Nothing ordinary or extraordinary,nothing emptied or filled,real or unreal;nothing feeble and known or clumsy and guessed. Everywhere tints childrening, innocent spontaneous,true. Nowhere possibly what flesh and impossibly such a garden,but actually flowers which breasts are among the very mouths of light. Nothing believed or doubted; brain over heart, surface:nowhere hating or to fear;shadow, mind without soul. Only how measureless cool flames of making;only each other building always distinct selves of mutual entirely opening;only alive. Never the murdered finalities of wherewhen and yesno,impotent nongames of wrongright and rightwrong;never to gain or pause,never the soft adventure of undoom,greedy anguishes and cringing ecstasies of inexistence; never to rest and never to have:only to grow.

Always the beautiful answer who asks a more beautiful question.

(Introduction from Collected Poems)

3

A poet is somebody who feels, and who expresses his feeling through words.

This may sound easy. It isn’t.

A lot of people think or believe or know they feel-but that’s thinking or believing or knowing; not feeling. And poetry is feeling-not knowing or believing or thinking.

Almost anybody can learn to think or believe or know, but not a single human being can be taught to feel. Why? Because whenever you think or you believe or you know, you’re a lot of other people: but the moment you feel, you’re nobody-but-yourself.

To be nobody-but-yourself-in a world which is doing its best, night and day, to make you everybody else-means to fight the hardest battle which any human being can fight; and never stop fighting.

As for expressing nobody-but-yourself in words, that means working just a little harder than anybody who isn’t a poet can possibly imagine. Why? Because nothing is quite as easy as using words like somebody else. We all of us do exactly this nearly all of the time-and whenever we do it, we’re not poets.

If, at the end of your first ten or fifteen years of fighting and working and feeling, you find you’ve written one line of one poem, you’ll be very lucky indeed.

And so my advice to all young people who wish to become poets is: do something easy, like learning how to blow up the world-unless you’re not only willing, but glad, to feel and work and fight till you die.

Does this sound dismal? It isn’t.

It’s the most wonderful life on earth.

Or so I feel.(Reply to a letter from a high-school editor; published in Ottawa Hills (Grand Rapids, Mich.)
//
setstats

a heart wrapped in cellophane
protected in the chiller
taken from my chest
she did not keep
it on her,
away from her warmth
i felt cold
and wanted to put it
out for carrion

 

apartment door slam
that picture you
never liked rocks
on the wall,
revealing slightly
the hole it covers,
from the armchair,
not moving
thoughts crossed his
mind as whether
he should put the
picture in the
trashcan
but she would be
back and would not
forgive

 

 

Posted: November 29, 2012 in Uncategorized

Sensible advice from the Scouts could apply to all children

Bryan on Scouting

Seventy-six years before Mark Zuckerberg was even born, the original Scout Law appeared in Baden-Powell’s Scouting for Boys.

No need for a new set of 12, though. Turns out those words — which the BSA adapted and adopted in 1911 — still apply as 2013 nears.

That’s why the Boy Scouts of America just released a new pledge called “The Scout Law and Cybersafety/Cyberbullying” to be signed by a Scout, his/her parent, and a leader.

Consider it a new interpretation of those 12 points for the generation growing up with (deep breath) Facebook, Google, Skype, Twitter, Instagram, Tumblr, Foursquare, SMS, MMS, and OMGs.

Check it out: 

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Posted: November 29, 2012 in Uncategorized

Love Guillermo del Toro

Earlier today, the viral marketing for Guillermo del Toro’s new movie Pacific Rim officially kicked off with robot blueprints and the first viral video.

In the film, legions of monstrous creatures, known as Kaiju, start rising from the sea and begin a war that would takes millions of lives and consumes humanity’s resources for years on end. To combat the giant Kaiju, a special type of weapon was devised: massive robots, called Jaegers, which are controlled simultaneously by two pilots whose minds are locked in a neural bridge. But even the Jaegers are proving nearly defenseless in the face of the relentless Kaiju. On the verge of defeat, the forces defending mankind have no choice but to turn to two unlikely heroes-a washed up former pilot (Hunnam) and an untested trainee (Kikuchi)-who are teamed to drive a legendary but seemingly obsolete Jaeger from the past. Together, they stand as mankind’s…

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