Carlos Drummond de Andrade – The Girl Reveals a Thigh

The Girl Reveals a Thigh

The girl reveals a thigh,
the girl reveals an ass cheek,
only she doesn’t show me that thing
— conch shell, beryl, emerald —
which blossoms, with four petals,
and contains the most sumptuous
pleasure, that hyperboreal zone,
a mixture of honey and asphalt,
a door sealed at the hinges
with a giddiness held captive,
a sacrificial altar without
the blood of the rite, the girl
doesn’t show me that thing.
And she is torturing me, this virgin
with her modesty making me dizzy
from the sudden blow struck
by a vision of her luminous breasts,
her pink and black beauty
that winds itself into a ball,
wrinkled, intact, inaccessible,
that opens, then closes, then takes flight
and this female animal, by laughing,
dismisses what I might have asked her about,
about what should be given and even beyond
given, what should be eaten.
Oh, how the girl kills me,
turns my life into one in which
all hope is consumed
by shadow and sparkle.
Rubbing up against her leg. The fingers
discover the slow, curving,
animal-like secrets, yet
they are the greatest mystery,
always crude, nocturnal,
the three-pronged key to the urn,
this concealed craziness, it doesn’t
give me anything to go on at all.
Before it never would have provoked me.
Living didn’t have a purpose,
the feelings walked around lost,
time wasn’t set loose
nor did death come to subject me
to the light of the morningstar,
which at this hour is already the first star,
violent, rising up like nausea
in the wild beasts at the zoo.
How I might know her skin,
where it is concave and convex,
her pores, the golden skin
of her belly! But her sex
has been kept a secret of the state.
How I might know the cold, dewy
meadow of her flesh,
where a snake rouses from sleep
and traces its path
back and forth, among all the tremors!
But what perfume would there be
in an unseen cave? what enchantment
what tightness, what sweetness,
what pure, pristine line
calls me and leads me away?
It might offer me all its beauty
and I would kiss or bite
and draw blood: I would.
But her pubis refuses me.
In the burning night, in the day
her thighs come together.
Like a deserted inn
closed on the inside by a latch,
her thighs seal themselves,
seclude themselves, save themselves,
and who said that
I could make her my slave?
I could debate this possibility
without a glimmer of hope for victory,
already her body erases itself,
already its glory tarnishes,
already I am made different by that thing
which wounds me on the inside,
and now I don’t know for certain
if my thirst was more ferocious because of
that thing of hers that I might have possessed.
There are other fountains, other hungers,
other thighs of other animals: the world is
vast and the forgetting profound.
Maybe today the girl in the daylight . . .
Maybe. For certain it never will be.
And if it hides itself away
with such fugues and arabesques
and such stubborn secrecy,
on what day will it open?
What would need to change for it to offer
itself to me on an already cold night,
its pink and black blossom in the snow,
never visited by me,
that boat carrying incense that I can’t board?
Or is there no boat carrying incense at all . . .

* * *

Julian Herbert – McDonald’s

 

Never fall in love 1 kilo

ground beef.

Never fall in love with the table set,

from meats, vessel

she kissed insistent mouth

iced tangerine, powder:

Instant.

Never fall in love with this

love powder, cough

Life of a name (Ana,

Claudia Tania: does not matter,

die every name), a flame

drowning. Never fall in love

another sonnet.

Never fall in love with blue stockings,

blue veins of below average,

thigh meat, that

meat as superficial.

Never fall in love with the cook.

But you’ll never fall in love, too,

either,

Sunday football, fast food,

nothing in mind but the ropes as cots.

Never fall in love with death,

his lust maid

your dog cruelty,

Touch your midwife.

Never fall in love in hotels,

simple past, paper

letterhead, porn movies,

in fulminating eyes celestial graves

clandestine speak in boleros, carrying

Denis de Rougemont.

The speed, in alcohol,

in Beatrice,

in the pan:

never fall for 1 kilo of ground beef.

Never.

No.

*

and in original text

 

Nunca te enamores de 1 kilo

de carne molida.

Nunca te enamores de la mesa puesta,

de las viandas, de los vasos

que ella besaba con boca de insistente

mandarina helada, en polvo:

instantánea.

Nunca te enamores de este

polvo enamorado, la tos

muerta de un nombre (Ana,

Claudia, Tania: no importa,

todo nombre morirá), una llama

que se ahoga. Nunca te enamores

del soneto de otro.

Nunca te enamores de las medias azules,

de las venas azules debajo de la media,

de la carne del muslo, esa

carne tan superficial.

Nunca te enamores de la cocinera.

Pero nunca te enamores, también,

tampoco,

del domingo: futbol, comida rápida,

nada en la mente sino sogas como cunas.

Nunca te enamores de la muerte,

su lujuria de doncella,

su sevicia de perro,

su tacto de comadrona.

Nunca te enamores en hoteles, en

pretérito simple, en papel

membretado, en películas porno,

en ojos fulminantes como tumbas celestes,

en hablas clandestinas, en boleros, en libros

de Denis de Rougemont.

En el speed, en el alcohol,

en la Beatriz,

en el perol:

nunca te enamores de 1 kilo de carne molida.

Nunca.

No.

 

ROBERTO BOLAÑO – LISA

When Lisa told me she had made ​​love
Another, in the life of that phone booth
Tepeyac store , I thought the world
He had for me. A tall skinny guy and
With long hair and a long dick that did not wait
Over an appointment to penetrate to the bottom.
There is something serious , she said , but
The best way to get you out of my life.
Parmenides Garcia Saldana had long hair and had
Been the lover of Lisa , but some
Years later I learned that he had died in a psychiatric clinic
Or that he had committed suicide . Lisa and I did not want
Go to bed with losers. Sometimes I dream
With her and see her happy and cold in Mexico
Designed by Lovecraft. We listen to music
( Canned Heat , one of the preferred groups
Parmenides Garcia Saldana ) and then we
Love three times . The first came inside me
The second came in my mouth and the third , just a thread
Water , a short fishing line, between my breasts. And all
In two hours, said Lisa . The two worst hours of my life,
I said from the other side of the phone.

Piedad Bonnett – Circle and Ash

Your mouth comes to me, only your mouth.
comes flying
dragonfly blood flare
that lights my night this ash.
entire sea salt dwelling in her,
the whole sound of the sea,
all foam.
Boca drawn for kisses ,
where tantalizing your tongue sleep.
entire world wine is in your mouth,
all the sin
and all innocence.
Boca shut up and when he says, hidden.
Capable of your mouth the whole truth,
the whole truth and lies.
Laugh your mouth and wake up the day.
(Lightning snow there in your laughter.)
As a herd of ponies run over me
kissing your delicious mouth,
your mouth, butterfly wrong,
your mouth others that is blurred
in my circle night and ash.

John Fante A Sad Flower In The Sand (documentary )

Kerouac The Movie (King of Beats) (1986)

John Antonelli’s documentary gives a slice of Kerouacs life from the early days to the publication of On The Road, it shows through comments how willing he was to suffer for his art as many writers and for that matter artists do

Denise Levertov – Olga Poems

denise levertov olgas poems

Leon de Grieff – Song of Dinarzada / Canción De Dinarzada

You were mine, burning Dinarzada:
your whole being handed my supplication
your whole being is important to me Nothing!
everything your fire melted into my fire!

You were mine, burning Dinarzada!

Because I care what the grim blind course!
fire for me is desolate
barren plain! Lightened sailed
under the disheveled storm!

All your fire melted into my fire!

Your big heart, your ecstatic soul,
your fine spirit, I beg
surrendered: Nothing donáronse my!
Overnight: give me your arms only,
Dinarzada subtle, dream night …

You were mine, burning Dinarzada!
Everything your fire melted into my fire!

 

and in original Spanish

Tú fuiste mía, ardiente Dinarzada:
todo tu ser se le entregó a mi ruego!
todo tu ser se le rindió a mi Nada!
todo tu fuego se fundió en mi fuego!

Tú fuiste mía, ardiente Dinarzada!

Ya qué me importa el torvo rumbo ciego!
Es lumbre para mí la desolada
llanura yerma! Alígero navego
bajo la tempestad desmelenada!

Todo tu fuego se fundió en mi fuego!

Tu grande corazón, tu alma extasiada,
tu espíritu finísimo, a mi ruego
se rindieron: donáronse a mi Nada!
Noche: en tus brazos únicos me entrego,
Dinarzada sutil, noche soñada…

Tú fuiste mía, ardiente Dinarzada!
Todo tu fuego se fundió en mi fuego!

 

Mario Benedetti – Little Stones At My Window

Once in a while
joy throws little stones at my window
it wants to let me know that it’s waiting for me
but today I’m calm
I’d almost say even-tempered
I’m going to keep anxiety locked up
and then lie flat on my back
which is an elegant and comfortable position
for receiving and believing news

who knows where I’ll be next
or when my story will be taken into account
who knows what advice I still might come up with
and what easy way out I’ll take not to follow it

don’t worry, I won’t gamble with an eviction
I won’t tattoo remembering with forgetting
there are many things left to say and suppress
and many grapes left to fill our mouths

don’t worry, I’m convinced
joy doesn’t need to throw any more little stones
I’m coming
I’m coming.