Juanita Parra / Gabriel Parra/ Los Jaivas

The sound of Los Jaivas is the sound of Chile , you listen and feel the music reach in. Gabriel Parra the drummer was sadly killed in a crash and the role went to his daughter Juanita Parra

fictive beat

W/O/M/A/N
gone into abstraction
gitane smoke before the rain,
cello case velvet interior
soft and firm

W/O/M/A/N
breasts and silk once seen on canvas
could not concede to his kisses
or arch of bow
he had to wander

W/O/M/A/N
no more companion
than those strings he manipulated
with fingers callused,
she will not tremor

W/O/M/A/N
as absent as the background
waiting for a taxi,
rain effective conduit
to her misery,
he sheltered the cello
with umbrella
heading to a jazz club

W/O/M/A/N
is the beat
is the tender thrum,
a cello’s true heart
and poets calling,
absinthe and kisses
parted stocking thighs
he had found another
W/O/M/A/N

poem, jazz, beat

Musician in the Rain by Robert Doisneau

magpie tales statue stamp 185

 

 

Kerouac The Movie (King of Beats) (1986)

John Antonelli’s documentary gives a slice of Kerouacs life from the early days to the publication of On The Road, it shows through comments how willing he was to suffer for his art as many writers and for that matter artists do

Off The Perfumed Saddle

piano keys washed in honey [ woman bathing in time ]
sexualist extreme ,
broken straw bed
assembled ingredients of a virgins reflection

desire/slutton/erogenous/ unforgiving

bitter fingers play [woman dried on flowers flesh]
hungering absolute yet no permanence
jazz expelled drum beat symphony

tatoo/dollars /benign/fragile

[woman forgotten in memories light]
supple sinewy ghosts on sunset go

 

a raw experiment for @dVersePoets 55 prompt

 

war in polystyrene

cockroach in the jazz room
sat on singers shoe
fed on golden olives
from bough hooked low,
ladybirds in 40D brassieres
cut back on the needles
stuck in their eye,
seven spots
notational dots as a code
to the twelve gauge hunter
who stalked them so,
cockroach had breathed
a stallions breath
and knew of a great stratagem,
lead hunter as prey
clarinet bullets penetrate his loins
with a chakka chakka chakka,
40D brassieres strung over light
wings spread
translucent shimmer of paradise,
cockroach touches
with hissing leg,
hunters body spread as sacrifice,
thrum of the drums
there are other monsters/ dragons/pain
drapery gone
meat on the anvil
clogged with anxiety and lust
chakka chakka chakkka,
cockroach fragments
a bed of panties and brassieres
become his resting place

poetry, poem ,

ballad of a stripper and a bookkeeper

he shot a hobo

alas a hobo

my lover shot a hobo

it was love , so love

i was the most insane stripper

lost on a winters eve

he was a bookkeeper with a gun

we wanted to run together

passion and breast in flames

he tried so much to please

with bunched up bloody nose

another fight over me

he started to kill

for pleasure that winters eve

police would call

and i would deny

through a packards windshield

his face a policeman saw

once run down

no going back

mexico and jazz

we where on the run

but my passion waned

with his bloodstained hands

and made a call

to a deputy

our villa surrounded

he felt betrayed

as to the chair

he fried

my lover alas my lover

who shot a hobo

and broke my heart

ballad, poetry , poem

dVersePoets

concatenation

ethno totems

to sky conspire

landscape doors and views

memory an artifact

to a city bar,

snowprints on sidewalk

snowscape lean and pale

collect and exist

what love brings tangible

native ambiance

settled and answered

bring your dances

and embraces

bleak satirical cold

twisted with lime in gin

amid saxophones and guitars

as red flamed resonance,

word labels on her cheeks

written and said

walk out of the snow

into the light

sins well washed with winter rain

glass bowl sun

will rise with the headlines

that make no sense,

the night as always

long with relief,

closing eyes

alaska seemed much closer

 

Wolfgang Paalen Fata Alaska (1937)

Wolfgang Paalen
Fata Alaska (1937)

 

interior of the narrative

with powdered paint and eye

and quenchless burning soul

deeper dark star fury

takes up the hurrying wind,

purity lost beneath the moon

misty champagne breath

keeps the flow

and warm ones eyes,

flash and hold,

adore me now or die

happy rays

reach sinew and bone,

beguiled so beguiled

by brighter grasp of desire,

fire and malice

forge the steel that cuts

the bonds of spanked behind

erotocise the far out stars

roses wanted only for the kiss,

hey harmony sing and

conceal wine impassioned veins,

sing one more time

the glory and the gem

of our dark hearts,

brutal tug of hair

claimed on oceans shore,

love an orphan of friendship

ceaseless and perverse,

liberty burnt over ashes

in her thrall i am

beat beat beat,

the frenzied imps of fire

in desperate crouch

of soul

i remain

poem, poet , jazz

@dVersePoets

 

regions of desertion

ashfoot, ashfoot

under moonball capsules of starlight

take two tubes of the sea

and with hipster tone,

squeeze upon my subterranean pinnacle

handcuffed to a midnight train

brakeman with burning lantern

punched me to nothing more,

take two more boxes to burn

smoke and steam

play it cool

sinister strapped luggage fell

to which i became lashed

tunnel -bone condemnation

under white haired

fawns feet

voices from regions unknown

lifted me away

to churches with horns

and fed capsules of better things

hopping away the vision

pierced bone

i was no longer

the bum

with sorry leg

dada at dVerse poets an interesting cut up as i used Gregory Corso In the Tunnel Bone of Cambridge which is below
IN THE TUNNEL-BONE OF CAMBRIDGE
1
In spite of voices-
Cambridge and all its regions
Its horned churches with fawns’ feet
Its white-haired young
and ashfoot legions-
I decided to spend the night

But that hipster-tone of my vision agent
Decided to reconcile his sound with the sea leaving me flat
North of the Charles
So now I’m stuck here-—
a subterranean
lashed to a pinnacle

2
I don’t know the better things that people know
All I know is the deserter condemned me to black-
He said: Gregory, here’s two boxes of night one tube of moon
And twenty capsules of starlight, go an’ have a ball-
He left and the creep took all my Gerry Mulligan records with him

3
But he didn’t cut out right then
I saw him hopping
On Brattle street today-
he’s got a bum leg
on his way to the tunnel-bone
He made like he didn’t see me
He was trying to play it cool

4
Wild in the station-bone
Strapped in a luggage vision-bone
made sinister by old lessons of motion
The time-tablebone said: Black

Handcuffed to a minister
Released in a padded diesel
The brakeman punched my back: Destination, black

Out the window I could see my vision agent
hopping along the platform
swinging a burning-lantern-bone like mad
All aboard, he laughed, all aboard
Far into the tunnel-bone I put my ear to the ear
of the minister–and I could hear
the steel say to the steam
and the steam to the roar: a black ahead
A black ahead a black and nothing more.