Carlos Drummond de Andrade – The Girl Reveals a Thigh

The Girl Reveals a Thigh

The girl reveals a thigh,
the girl reveals an ass cheek,
only she doesn’t show me that thing
— conch shell, beryl, emerald —
which blossoms, with four petals,
and contains the most sumptuous
pleasure, that hyperboreal zone,
a mixture of honey and asphalt,
a door sealed at the hinges
with a giddiness held captive,
a sacrificial altar without
the blood of the rite, the girl
doesn’t show me that thing.
And she is torturing me, this virgin
with her modesty making me dizzy
from the sudden blow struck
by a vision of her luminous breasts,
her pink and black beauty
that winds itself into a ball,
wrinkled, intact, inaccessible,
that opens, then closes, then takes flight
and this female animal, by laughing,
dismisses what I might have asked her about,
about what should be given and even beyond
given, what should be eaten.
Oh, how the girl kills me,
turns my life into one in which
all hope is consumed
by shadow and sparkle.
Rubbing up against her leg. The fingers
discover the slow, curving,
animal-like secrets, yet
they are the greatest mystery,
always crude, nocturnal,
the three-pronged key to the urn,
this concealed craziness, it doesn’t
give me anything to go on at all.
Before it never would have provoked me.
Living didn’t have a purpose,
the feelings walked around lost,
time wasn’t set loose
nor did death come to subject me
to the light of the morningstar,
which at this hour is already the first star,
violent, rising up like nausea
in the wild beasts at the zoo.
How I might know her skin,
where it is concave and convex,
her pores, the golden skin
of her belly! But her sex
has been kept a secret of the state.
How I might know the cold, dewy
meadow of her flesh,
where a snake rouses from sleep
and traces its path
back and forth, among all the tremors!
But what perfume would there be
in an unseen cave? what enchantment
what tightness, what sweetness,
what pure, pristine line
calls me and leads me away?
It might offer me all its beauty
and I would kiss or bite
and draw blood: I would.
But her pubis refuses me.
In the burning night, in the day
her thighs come together.
Like a deserted inn
closed on the inside by a latch,
her thighs seal themselves,
seclude themselves, save themselves,
and who said that
I could make her my slave?
I could debate this possibility
without a glimmer of hope for victory,
already her body erases itself,
already its glory tarnishes,
already I am made different by that thing
which wounds me on the inside,
and now I don’t know for certain
if my thirst was more ferocious because of
that thing of hers that I might have possessed.
There are other fountains, other hungers,
other thighs of other animals: the world is
vast and the forgetting profound.
Maybe today the girl in the daylight . . .
Maybe. For certain it never will be.
And if it hides itself away
with such fugues and arabesques
and such stubborn secrecy,
on what day will it open?
What would need to change for it to offer
itself to me on an already cold night,
its pink and black blossom in the snow,
never visited by me,
that boat carrying incense that I can’t board?
Or is there no boat carrying incense at all . . .

* * *

natural ass bird

accelerate harder
trees tremor passed,
what is against the heart
and rain streaked glass,
prophecy and a government system
insulted by the freaks of lottery
money was not to be
the blanket of insidious content,
radio breaks it down
speed accompanies the heart,
the bitch most malicious
than spilled gasoline
with a well lie lubricated tongue
speaks of equality
pace of society,
why feel betrayed
as if she where sat alongside you
taunting as if fertile
yet as barren as a thousand year
old desert,
tires bite into blacktop
staining and smearing
with billows of smoke,
there can be only one ultimatum,
terror inflates the throat
choking on that swelling promise
of nothing,
beyond sharp curve of road
open air
and sweet mist valley
and the feeling of
wanting to fly

open link night #145

je suis charlie

in those glancing shadows
of inky truth and pattern
there would be no ennui,

condemn not capitulate

to the bugle call of atrocity,
it is only anarchy
not religion,
that has to be illustrated

by pencil sharp sword

render and portray
a prophets wisdom abused
to generate and perpetuate
a list of abhorrent terror
activated by those
with misguided sense of being

steady hand describes

that no single act
will be unaccounted

a channel for truth

that should not be
a satirists end

#je suis charlie
#je suis ahmed

sunday whirl

apartment to let

vibrant radiator harmony,
getting to his ears
before the daylight
ripped open his eyes,
and alphabet soup thoughts
swilled from side to side
in the bowl that is his skull,
twnty seven permutations
of how the day
would end up being,
rolling a cigarette,
strips of paper cut from
an old shelley poetry book
as if inhaling the words
would give creedence to his own,
that languished on pages
scattered like a womans dirty
underwear across the floor,
that masterpiece so often
rewritten not compiled,
new words scraped away the old
confidence from caffeine
lifted him to another level,
sun filled evey corner
a morning bronze age
renaissance to the heart,
sat up scratching legs
it would be complete

Universal Studios Lot, Instagram by sessepien

Olga Orozco- No Doors

With burning sands styling a number of fire over time,
law with a wild animal lurking danger from its burrow,
with vertigo looking up,
your love is kindled but a lamp in the middle of the night,
with small fragments of a world consecrated to idolatry,
with the sweetness of sleep with all your skin covering the cost of fear
in the shadow of leisure tenderly opened a range of celestial meadows,
did everyday loneliness I have.
My loneliness is made of you.
Take your name on your side of stone
in tense silence where they can play all the melodies of hell;
walk beside me with your empty step,
and has, like you, that look that I’m going to look farther each time,
yesterday to a glare that dissolves in tears, in ever.
The doors to my left as one leaves the heir to a
                   [Realm of anyone who goes out and never comes back.
And it grew by itself
feeding on these herbs that grow on the edges of memories
and on stormy nights produce mysterious mirages
scenes with the best bonfires fed fevers.
Well I’ve seen people with blurred malls who sacrifice love
-Invincible characters marble, blind-absorbed as the distance,
or deploy in the middle of a room that rain falling seaside
away in another part ¨,
where you will be filling the bowl with water a few years of neglect.
Sometimes blowing on me with a south wind
a stormy song that suddenly breaks into a broken throat groan of bliss,
or try to delete a piece of ragged hope
goodbye that you wrote with the blood of my dreams in all crystals
to smite everything I watch.
My loneliness is all I have of you.
Howl with your voice in every corner.
When named with your name
grows like a sore in the darkness.
And a sunset up in front of me
that cup of sky was the color of wet poplar and in which
                            [We have drunk the wine of eternity each day,
broke and not knowing, to open the veins,
for you were born as a god of his splendid duel.
And he could not die
and his look was that of a madwoman.
He opened a wall
and walked into this room with a room that has no outputs
and where you’re sitting, staring at you in another life like my solitude.

Ferenc Juhasz – Birth Of A Foal

As May was opening the rosebuds,

elder and lilac beginning to bloom,

it was time for the mare to foal.

She’d rest herself, or hobble lazily

after the boy who sang as he led her

to pasture, wading through the meadowflowers.

They wandered back at dusk, bone-tired,

the moon perched on a blue shoulder of sky.

Then the mare lay down,

sweating and trembling, on her straw in the stable.

The drowsy, heavy-bellied cows

surrounded her, waiting, watching, snuffing.

Later, when even the hay slept

and the shaft of the Plough pointed South,

the foal was born. Hours the mare

spent licking the foal with its glue-blind eyes.

And the foal slept at her side,

a heap of feathers ripped from a bed.

Straw never spread as soft as this.

Milk or snow never slept like a foal.

Dawn bounced up in a bright red hat,

waved at the world and skipped away.

Up staggered the foal,

its hooves were jelly – knots of foam.

Then day sniffed with its blue nose

through the open stable window, and found them –

the foal nuzzling its mother,

velvet fumbling for her milk.

Then all the trees were talking at once,

chickens scrabbled in the yard,

like golden flowers

envy withered the last stars.

kohler one and two

apes have insight as seen

under the soft winds of tenerife,

man as another ape

also has insight to convey and

express through brain chemistry,

we share flexible hands

that in wisconsin built ceramic wares

that ape with flexible parts

would use to dispose and hide

bodily waste

not wiped with leaves and buried,

food and the toilet

an inexhaustible amount of

links between,

we feed we shit we betray

the toilet the ape the man

intrigue of mind

not understanding what is real

correlation of brain and development

would introspection

come into play,

ceramic beauty and form

cupping arse to excrete,

apes missed out  on porcelain desire

white shining cold,

yet who has developed

we watch we learn we betray

emotions significant part,

bare red ringed arse

bare flushed mating arse

under kohler one and kohler two

we have become that unshakeable

being of flesh fur behavior

dynamics of a wild innocence

that sees things so differently

as we see of each other

anthropometrics of form and mind

everything classified

as in information,

encrypted distorted betrayed

told only by the apes that lead

the higher beings

naked suited alone

kohler_wolfgang

 

secret and vague in austerity

moon in nightspace became silversmith

light hammered over island

catching the nudity

i kept vigil over,

a saddened animal

hunched in an undergrowth habitat

i fed on something that dreams give

as i watched

her polished by tides overwhelm,

i could of been a nation on it’s knees

waiting for that one that comes

and brings a substance,

yet too afraid to show yourself

for fear of spoiling a grand occasion,

damp skin

natures jeweler working diamonds on,

a martyred bird called out

shriek of the night

she turned and i was certain of being seen

my eyes would be vivid in the darkness,

retreating with a tread  so soft,

knowing as you saw swept long hair

i would not possess

despite the urgency of my loins

without satisfaction i would have to wait

as this was not the night

dverselogo

chewing the inside of your mouth yesterday

three inhuman seconds

and his mouth meat bled

one bite stress induced

a soloist on the telephone

making obscene financial calls

scratching a flabby stomach

still held the phone

the woman a thousand fibers away

still howled

fiscal abuse

he had spoken off the script

probing her dollars

sliding inside her head

avoiding indignant sounds

her whole life on his computer screen

a random credit score

he had pushed to far

stench of cheap deodorant

dropping the phone

he ran

red nylon carpets flashed by

everybody watched

as outside the double doors

he vomited with blood

from his cheek

too afraid to return

walked towards

somewhere else

3wordwednesday