appropriate senses

one day the paint becomes too heavy for the wall
and as it falls
i snarl at the wooden frame window,
going beyond
the being drunk for days on end,
curled flakes green paint
like that of a psychiatric unit
even smelled of it,
my body grey
not creased by laughter,
ceiling fan
juddering illusion blades
imagined tugging away flesh
from my bioluminescent bones,
bareback
once ridden by the sun
penetrated by raw illumination,
walls began to shift
i am to be released
as a lost savage
in a wet city

camomile artist

this voice of the river
pressed wavelets to the hull,
kisses gentle
as the heat of day waned,
there is an island
he took himself to
and revealed not to many,
his sister stretched her hand
to the surface,
his obsession that yellow obsession
of scrawled canvas
becoming painfully light
each coming and passing day,
his work confessional
to a degree that
his lips where bitten into scabs
and fingernails worn,
absinthe stained his teeth
and confounded the workings
of an already fractured mind,
he wanted to show
one person the accommodation
crooked walls hung with works
salons would faint at,
not his usual pastorals and portraits,
this was a diminished reality
with a lot of truth
his sarcasm would not yield
afraid of her reaction
progressed slowly
yesterday still had a grip,
he could not release
approaching jetty
tremors worked in his arms,
breathing quickened,
when the moon set
he would be revealed
and her pain would be no loss,
when the rains came
he would return alone
clouds would cover the moon
and deny reflection and illumination
there was a lot more to be done

poetry, art, media

John Singer Sargent – Autumn on The River 1889

regions of desertion

ashfoot, ashfoot

under moonball capsules of starlight

take two tubes of the sea

and with hipster tone,

squeeze upon my subterranean pinnacle

handcuffed to a midnight train

brakeman with burning lantern

punched me to nothing more,

take two more boxes to burn

smoke and steam

play it cool

sinister strapped luggage fell

to which i became lashed

tunnel -bone condemnation

under white haired

fawns feet

voices from regions unknown

lifted me away

to churches with horns

and fed capsules of better things

hopping away the vision

pierced bone

i was no longer

the bum

with sorry leg

dada at dVerse poets an interesting cut up as i used Gregory Corso In the Tunnel Bone of Cambridge which is below
IN THE TUNNEL-BONE OF CAMBRIDGE
1
In spite of voices-
Cambridge and all its regions
Its horned churches with fawns’ feet
Its white-haired young
and ashfoot legions-
I decided to spend the night

But that hipster-tone of my vision agent
Decided to reconcile his sound with the sea leaving me flat
North of the Charles
So now I’m stuck here-—
a subterranean
lashed to a pinnacle

2
I don’t know the better things that people know
All I know is the deserter condemned me to black-
He said: Gregory, here’s two boxes of night one tube of moon
And twenty capsules of starlight, go an’ have a ball-
He left and the creep took all my Gerry Mulligan records with him

3
But he didn’t cut out right then
I saw him hopping
On Brattle street today-
he’s got a bum leg
on his way to the tunnel-bone
He made like he didn’t see me
He was trying to play it cool

4
Wild in the station-bone
Strapped in a luggage vision-bone
made sinister by old lessons of motion
The time-tablebone said: Black

Handcuffed to a minister
Released in a padded diesel
The brakeman punched my back: Destination, black

Out the window I could see my vision agent
hopping along the platform
swinging a burning-lantern-bone like mad
All aboard, he laughed, all aboard
Far into the tunnel-bone I put my ear to the ear
of the minister–and I could hear
the steel say to the steam
and the steam to the roar: a black ahead
A black ahead a black and nothing more.

Scatterflex

wundt wanted

as i watched the eye

methodic tick,

moved from  side to side,

pavlov stimuli

deeper expressive i feel

no chemical replication

given to how i feel,

as i want to touch the eye,

conditioned and reduced

to basic function,

i was in a hole,

that my mind had opened

a non neutral stimulus

as now i saw her eye

non evasive swaying

encountering me with a look

that withered my root,

amplify the kisses

to a ravenous clamor

of wet hole slurping

my digestion of love

is diminishing,

before any digression

her eye, that eye

consumes retina to cortex

and i become lost

more marijuana

more bourbon,

will i take her back,

can the conditions of isolation

be repealed ,

settling further back

i want aural infusion of music

so that i can decide,

tick click tick click

fractious nerves tingle

i slide to unconscious

knowing after it would

reveal

ray, man, indestructible object or object to be destroyed, 1923

magpie tales statue stamp 185

Flicker Bone

taste the cracks of madness

that wait as you feel

blind of thought beneath the sheets,

transit of day

passed over eyes,

highways and country stores

direction decided by suggestion,

words once whispered

in a bar over warm late beer,

all intentions

seduction and sacrifice

after lunch

folding lawnchairs on grass,

she placed him in a bubble

that enclosed in a vacuum,

there sanity on it’s broad threads

became detached,

lifting the conscious away,

he had never felt this feeling as

of now,

escaping quickly

tires churning gravel,

expectant trees let sunlight through,

as by night getting home,

on the other side of doors

is the better place to be