steps to a mocking truth

my shoes have grown
as my heart and eyes have seen
they walked with me,
since those first inaccurate stumbles
seeing surface and texture
slipped on,
tied,
buckled
leather formed about the feet,
or thrown in disgust
at a politicians head,
they walk with us
mutely seeing and interacting
as the  animal they once where
to a human misery,
without shoes connecting to earth
and nature of earthen creation,
ski hardening
to dust
stone
and blacktop,
miles witnessed
to a freedom attained
toes as extremity population
encounter first and enjoy
what was once an overall entrapment
thorns may spike
stones may pierce
batons beat
and electrodes burn,
washed and anointed
our shoes are needed
protect
shelter
enable
and keep away the awful pains,
shoes see more
than we think

poetry , poem

dversepoets.com

 

Miguel de Unamuno – My Vulture / Mi Buitre

This ravenous vulture grim scowl
that devours me the fiery bowels
and my only constant companion
till my pain with his hooked beak.
The day we touch the last sip
I rush my black blood, I want
it leave me with him alone and landmark
a moment, no one as hindrance.
Well I want to win, doing my agony
as he my last stripping swallows
surprise in his eyes somber
look to see the fate that threatens
without this dam as satisfying
the terrible hunger that never goes out .

and in Spanish

Este buitre voraz de ceño torvo
que me devora las entrañas fiero
y es mi único constante compañero
labra mis penas con su pico corvo.
El día en que le toque el postrer sorbo
apurar de mi negra sangre, quiero
que me dejéis con él solo y señero
un momento, sin nadie como estorbo.
Pues quiero, triunfo haciendo mi agonía
mientras él mi último despojo traga,
sorprender en sus ojos la sombría
mirada al ver la suerte que le amaga
sin esta presa en que satisfacía
el hambre atroz que nunca se le apaga.

threat of nature

waxwing

on your long leafed bough

through your mask

why do you fucking stare at me

through the window

i stare back

do you see me for what i am

a cuckoo

in another’s nest

mating with another’s wife

i cant help it

you beautiful bastard

if i had a gun

i would shoot you

yet watching head bow

beak rub bark

fragile in bone and feathers

you are nervous

afraid of predators

above and below

so fuck you

i am of the high order species

and do not forget

it

 

 

when she flies

loathing had been a mirror of his sleep,

now without sanitorium or astral light,

deaths pungency had gone

she lay before him,

naked as the solemnized wedding bed,

sewn with silk and love

cerise ridge scars

created with a skill he never knew he had,

her offal once mortal

he feasted upon

washed with wine and tears,

absorbing her

leaving her with mechanics,

parting her legs

felt for the copper tube

inserted handle

and turned each activating

and animating,

mechanical precision went into motion

body shuddered

eyes a shade of fog fluttered open,

she could move

with silence as her voice was no more,

he helped her dress

that velvet gown

he loved so much,

outside to walk again

without fear of bacteria or virus

morning filled the mountains with shadow,

holding hands

her face a dark riddle,

in her eyes she had the knowledge

to do the same for him

when that time came

to walk immortal together,

then she paused

he thought mechanics had failed

as she began to lift off the ground

taking flight,

he panicked calling out

as she slipped out of grasp,

soared higher into air

unable to reply,

that she had a lover she had

to find

magpie tales statue stamp 185

chagall, art, surrealism, steampunk

Chagall

 

 

boxcar funeral parlor

the prairie became an extension of the city

thanks to the railroad

so finding solitude was easy,

in the yard steaming hot

through haze cyclops diesels

rumbled threatening inert freight,

a man nimble over tracks

knew passage between the lines

many years spent here

living on the perimeter,

where boxcars became brittle and fell apart,

it was here he served god

and those others displaced,

god was an argument for cheap whiskey

and sorry nights,

the others came to him

as in his throat he had words and lyrics

written in his own hand,

his boxcar a place for the dead

those whose limbs had ceased in all exhaustion,

he spoke sermon gave a sense of rapture

then would take each body out

to that solitude for burial,

wind caught and burned faces

heaven a casual component,

the sky a vault

and mountain halls echoing nature,

love had evaded him for so long,

passion cast upon the train

making right for those about,

even in slumber he did not crave

the early life that was chest deep in darkness,

fellow man and a swirl of small favors

cleansed his sanity,

he labored as a persistent mouse

to save the dead from further disgrace,

and hoped his dust would find

the same

111

 

regions of desertion

ashfoot, ashfoot

under moonball capsules of starlight

take two tubes of the sea

and with hipster tone,

squeeze upon my subterranean pinnacle

handcuffed to a midnight train

brakeman with burning lantern

punched me to nothing more,

take two more boxes to burn

smoke and steam

play it cool

sinister strapped luggage fell

to which i became lashed

tunnel -bone condemnation

under white haired

fawns feet

voices from regions unknown

lifted me away

to churches with horns

and fed capsules of better things

hopping away the vision

pierced bone

i was no longer

the bum

with sorry leg

dada at dVerse poets an interesting cut up as i used Gregory Corso In the Tunnel Bone of Cambridge which is below
IN THE TUNNEL-BONE OF CAMBRIDGE
1
In spite of voices-
Cambridge and all its regions
Its horned churches with fawns’ feet
Its white-haired young
and ashfoot legions-
I decided to spend the night

But that hipster-tone of my vision agent
Decided to reconcile his sound with the sea leaving me flat
North of the Charles
So now I’m stuck here-—
a subterranean
lashed to a pinnacle

2
I don’t know the better things that people know
All I know is the deserter condemned me to black-
He said: Gregory, here’s two boxes of night one tube of moon
And twenty capsules of starlight, go an’ have a ball-
He left and the creep took all my Gerry Mulligan records with him

3
But he didn’t cut out right then
I saw him hopping
On Brattle street today-
he’s got a bum leg
on his way to the tunnel-bone
He made like he didn’t see me
He was trying to play it cool

4
Wild in the station-bone
Strapped in a luggage vision-bone
made sinister by old lessons of motion
The time-tablebone said: Black

Handcuffed to a minister
Released in a padded diesel
The brakeman punched my back: Destination, black

Out the window I could see my vision agent
hopping along the platform
swinging a burning-lantern-bone like mad
All aboard, he laughed, all aboard
Far into the tunnel-bone I put my ear to the ear
of the minister–and I could hear
the steel say to the steam
and the steam to the roar: a black ahead
A black ahead a black and nothing more.

illustration 9

ants loud enough

close to his head,

reprieve of summer cool

as he lay under his cart

pushed for close to a mile

finding geography

awkward to place

despite being his city once,

his mind a squoze larvae

thoughts brief as a snakes hiss,

irritable tongue of weeds,

lying still

close to impossible,

underpass old concrete walls

tagged by youth

more used to shooting than talking

overhead cars heat and horses,

smells nasal reverberations

he would feel quieter

if at the bottom of a lake

where on it’s silted bed

with fishes as companions

devouring algae from his closed  eyes,

heat would be gone

and his mind would make sense,

the moon did not bring night rain,

eventually he stood

rocking on heels

than began to walk

this time he would find the start

of his journey

Samuel Beckett- Waiting For Godot (dir Samuel Beckett) Part One and Two

Becketts own version of his play and here is part 2