fictive beat

W/O/M/A/N
gone into abstraction
gitane smoke before the rain,
cello case velvet interior
soft and firm

W/O/M/A/N
breasts and silk once seen on canvas
could not concede to his kisses
or arch of bow
he had to wander

W/O/M/A/N
no more companion
than those strings he manipulated
with fingers callused,
she will not tremor

W/O/M/A/N
as absent as the background
waiting for a taxi,
rain effective conduit
to her misery,
he sheltered the cello
with umbrella
heading to a jazz club

W/O/M/A/N
is the beat
is the tender thrum,
a cello’s true heart
and poets calling,
absinthe and kisses
parted stocking thighs
he had found another
W/O/M/A/N

Musician in the Rain by Robert Doisneau

 

 

Edward Hopper Sketchbook

A wonderful insight into the mind and workings of Edward Hopper through his sketchbooks , illustrating and describing a process of creativity that evolved into his paintings that resonate so well with in there look and narrative and if you have not come across him yet i urge you to do so.

 

hope you enjoy this as much as me as i would love to delve through the pages and become intimate with the completed works

Wim Wenders – Lounge Paintings in Arizona

camomile artist

this voice of the river
pressed wavelets to the hull,
kisses gentle
as the heat of day waned,
there is an island
he took himself to
and revealed not to many,
his sister stretched her hand
to the surface,
his obsession that yellow obsession
of scrawled canvas
becoming painfully light
each coming and passing day,
his work confessional
to a degree that
his lips where bitten into scabs
and fingernails worn,
absinthe stained his teeth
and confounded the workings
of an already fractured mind,
he wanted to show
one person the accommodation
crooked walls hung with works
salons would faint at,
not his usual pastorals and portraits,
this was a diminished reality
with a lot of truth
his sarcasm would not yield
afraid of her reaction
progressed slowly
yesterday still had a grip,
he could not release
approaching jetty
tremors worked in his arms,
breathing quickened,
when the moon set
he would be revealed
and her pain would be no loss,
when the rains came
he would return alone
clouds would cover the moon
and deny reflection and illumination
there was a lot more to be done

John Singer Sargent – Autumn on The River 1889

gardens in a candlelit room

i take a hammer

and a nail

to my brother and sister eye,

one gazing south

to shared sand of desert and sea,

other north

through motorcycle lens

to fields of open pleasure,

my visceral concern

is not getting lost between both,

naked to contradiction

my form is seen

bare paleness of a wanting moon

sand still tasted between teeth,

without movement and sound

to the board of memory

each eye nailed

swiftly

so there is no gelatinous collapse

blinking obscura of pain,

i now want

flesh cold

still pale

not written upon by her lips,

hammer has fallen

indenting ground

taking root

Andrew Wyeth Man and the Moon