Phimosis Postibi

conduit shrugs

from sleepy wither

morning scrapes

itself off the night

with bruised studded clouds

I will shower

soaps lather run

looming down

at the hoodless one

shaped contour of

male tissue erectile

veined with coming age

desensitized to cotton touch

hidden behind

clasp of gideon sundbuck

soft towel rub

once retreated

so nobody will know

it’s a shame

that this dome

quite architectural

with narrow eye

can shine and shimmer

in fluid moments

of interaction

but for now

the day pale clad

has begun

me as of today

Hollie McNish -Embarrased

a dark certain heaven

other wounded words

met opposing lips

before taking steps

to the tree

with tissue paper bark

denied strong stature

boughs reaching into canopy,

by those roots

we would lie

till they pierce our flesh

not out of brutality

not nature

sap and blood entwine

devouring each other

upon a dense earth

we lie we live

together embedded

drawn down to the

moisture beneath

and worms soft mouth

dissolute art

pop/

art

stars

images cranked over canvas,

celebrity flashbulbs

kreig light flame

against/

walls passionate configure

morals a now sewered creek,

tangent arcs

of eyes caught lust intensity,

brood/

expression of artist

alone watching,

wishing for moist stringy

damp exchange stream,

deliver/

with his palette knife

excise flesh and society,

knead out the fleshy dough

breasts that bare themselves

to him

for signature and kiss,

ice/

rivets many to the spot

they stand,

exclusive voyeurs to insanity

and flagrant erotic exchange,

an orgy beyond the point

of isolation and intimacy,

a swirl of texture

and color,

witnesses to the end

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Pink Eiga and Koji Wakamatsu

Koji Wakamatsu died last week hit by a taxi a tragic end to a man who directed and produced many films, his career began in the early sixties his first film Hageshii Onnatachi (1963) would star Tamaki Katori daughter of a Pharmaceutical tycoon and she would become a big star of the pink films that introduced sex and nudity to mainstream Japapanese cinema, Flesh Market was the first in 1962 and the Police intervened and the film was censored but the wave started and Flesh Market became a box office smash made for 8 million yen took over 150 million at the box office.

Koji Wakamatsu made over 20 films at Nikkatsu studio low budget erotica that also dealt with current affairs, social attitudes, disasters and celebrity, but the studio went into decline and Koji struck out alone, not as sleazy or dark as Giichi Nishihara, also Tamaki would appear in other films of his including Sex Jack (1970) that went to Cannes the story was seen as anti social as it dealt with students who wanted to assassinate the prime minister and hijack a plane.

Through pink film many independent production companies found a voice and box office.

Koji rode this wave and as producer found more international success with Ai No Corrida (1976) or In The Realm of the senses this was the first film of his i saw and the film despite being graphic and quite realist, based on the true story of a woman who had a husband that betrayed her sexually in every way that she cut off his penis and was arrested with it in her pocket.

Koji as director made 105 films that would each leave an impression be it good or bad but he was an artist his final film Millenial Rapture (2012) based on Kenji Nakagami ‘s novel which has received tepid reviews.

His work will stand and influence who knows now with his passing what will come next.

http://www.hollywoodreporter.com/review/millennial-rapture-sennen-no-yuraku-venice-367624