fictive beat

W/O/M/A/N
gone into abstraction
gitane smoke before the rain,
cello case velvet interior
soft and firm

W/O/M/A/N
breasts and silk once seen on canvas
could not concede to his kisses
or arch of bow
he had to wander

W/O/M/A/N
no more companion
than those strings he manipulated
with fingers callused,
she will not tremor

W/O/M/A/N
as absent as the background
waiting for a taxi,
rain effective conduit
to her misery,
he sheltered the cello
with umbrella
heading to a jazz club

W/O/M/A/N
is the beat
is the tender thrum,
a cello’s true heart
and poets calling,
absinthe and kisses
parted stocking thighs
he had found another
W/O/M/A/N

Musician in the Rain by Robert Doisneau

 

 

72 Panels

behind her shoji screen

where protected, felt assured to be naked

no unbidden glances

would spill from a mans eye

gathered in her own mind

and clothed touched the soft panels

each to represent a year of life,

the ones lived and ones to come

patches of existence on a written timeframe,

smiling she moved to the window

hillside and meadow

no sharp intrusions to the eye

looking back she wondered of the last panel

what  ghosts lurked behind

for it was hidden

until the time was right,

a swarm of bees sounded outside

nectar and honey

as she expected love to be

but mother said not,

spoke of not having to worship a man,

his edges not so rounded

where often cruel as father was

to others but not her

not a favorite they just understood,

it did not matter of the last panel

for she knew how long she had

as sliding the door behind

walked out onto a busy street

 

 

without the wind

salt water in winter,

two fingers deep

secret to staying afloat,

vulva tides awash with secrecy

worn beneath cotton bedsheets

and that short black coat,

temptation and lust

a wanting beyond the

open expanse of ocean,

swell and topography,

knowing placement and feeling,

blind cartographer

left fingerprints and tongue

impressions,

beneath  a wayward sun,

tremors that crawl

emotion burned nerves,

and within no hollow thrum,

with tug she guided

fold and rise

waves break over rocks

map has it’s relief

with tidal surge,

shudder and compression,

the moment when the sea becomes

translucent,

and memory of this voyage

imprinted overwriting

others lesser and shorted

http://www.michelinerobinson.co.uk/

Micheline an amazing artist go and visit her website and find her on twitter @artymicheline

orchards of rockland maine 1892

fruit of pomona

yielding to reach and touch ,

never to be split between friends and lovers

that homer once wrote of them,

slight tug separation from tree

a tree that would outlive the fingers

among the branches,

each gathered in wicker basket

green and red flesh perfumed

one of softer flesh skin slipped off

pulled open juice spilled nested in pulp

not seed but foetal form,

an emerging conterpart who would grow

in truth,

licking away textured pale pulp revealing all

form grew and writhed,

this was nothing that pliny had written of or the

romans seen yet she knew,

as a woman in her warm spelt bosom,

the coming thunder was starting with overlaid clouds

to raise it’s crescendo,

female foetus of of rockland maine

with mind akin would grow so well,

her fingers had known degas face,

eyes seen the waves of suppression ,

in this basket another voice grew

oil impressionism

captured scene milhaud tones

creation and completion

the veritable truth,

that fruit of pomona spoke so well

no more a planet of empty milk and bread

in the spirit of the gods

many would red lip sacrifice

banner to trumpet call

it was settled now