Piedad Bonnett – Circle and Ash

Your mouth comes to me, only your mouth.
comes flying
dragonfly blood flare
that lights my night this ash.
entire sea salt dwelling in her,
the whole sound of the sea,
all foam.
Boca drawn for kisses ,
where tantalizing your tongue sleep.
entire world wine is in your mouth,
all the sin
and all innocence.
Boca shut up and when he says, hidden.
Capable of your mouth the whole truth,
the whole truth and lies.
Laugh your mouth and wake up the day.
(Lightning snow there in your laughter.)
As a herd of ponies run over me
kissing your delicious mouth,
your mouth, butterfly wrong,
your mouth others that is blurred
in my circle night and ash.

Léopold Sédar Senghor – Elegy Of Midnight

 

Summer, splendid Summer, nourishing the Poet on the milk of your light
I who grew up like the wheat of spring, which made me drunk
From green water, from the green steaming in the gold of Time
Ah! no longer can I tolerate the midnight light.
The splendor of such honors resembles a Sahara,
An immense void, with neither erg nor rocky plateau,
With no grass, no twinkling eye, no beating heart.
Twenty-four hours a day like this, and my eyes are wide open
Like Father Cloarec’s, crucified on a boulder by the Joal pagans
Who worshipped snakes. In my eyes the Portuguese lighthouse
Turns round and round, twenty-four hours a day,
A precise and restless mechanism, until the end of time.

I jumped out of bed, a leopard about to be snared,
A sudden gust of Simoom filling my throat with sand.
Ah! if I could just collapse in the dung and blood, in the void.
I turn around among my books watchilng me with their deep eyes
Six thousand lamps burning twenty-four hours a day.
I stand up lucid, strangely lucid. And I am handsome,
Like the one-hundred-runner, like the rutting black stallion
From Mauritania. I carry in my blood a river of seeds
That can fertilize all the plains of Byzantium
And the hills, the austere hills.
I am the Lover and the locomotive with a well-oiled piston.

Her sweet strawberry lips, her thick stone body,
Her secret softness ripe for the catch, her body
A deep field open to the black sower.
The Spirit germinates under the groin, in the matrix of desire
The sex is one antenna mong many where flashing messages are exchanged.
Love music no longer can cool me down, nor the holy rhythm of poetry.
Against this despair, Lord, I need all my strength
—A soft dagger in the heart as deep as remorse.
I am not sure of dying. If that was Hell: the lack of sleep
This desert of the Poet, this pain of living, this dying
From not being able to die, the agony of shadows, this passion
For death and light like moths on hurricane lamps at night,
In the horrible rotting of virgin forests.

Lord of light and shadows,
You, Lord of the Cosmos, let me rest in Joal-of-the-Shades,
Let me be born again in the Childhood Kingdom full of dreams,
Let me be the shepherd of my shepherdess on the Dyilôr tanns
Where dead men flower, let me burst out applauding
When Téning-Ndyaré and Tyagoum-Ndyaré enter the circle
And let me dance like the Athlete to the drum of this year’s Dead.
This is only a prayer. You known my peasant’s patience.
Peace will come, the Angel of dawn will come, the singing of birds
Never heard before will come, the light of dawn will come.
I will sleep at dawn, my pink doll in my arms,
My green- and gold-eyed doll with a voice so marvelous,
It is the very tongue of poetry.

Translated from the French by Melvin Dixon

(from Nocturnes, 1961)

Robert Creely – To And

poetry , poem

Martin Adan – Sea and Shell

A woman and a ball: out of a sudden agreement
the world forms, in its inane rotation.
It begins with the fish, which inhabits the wasteland.

A curve sighs. Nothing swells immediately.
A mathematical point: the sphere,
void, terrestrial, a cloud of breath.

If the chimera doesn’t declare itself
in service and pure verse,
it will wail its words of truth.

The world revolves in an animal rush.
The most humble fish, of all the mud,
mired in the eye, bearing the colure.

A leg, or terror, arises, expands:
the air is the passion of the bather:
light, in recess, flashes and dies out.

A woman and a ball drop from a bristle,
a thin line of ice in which everything concludes,
matter the hand raises into view.

World in the air, simple being and aspect:
algae rising boldly within the descent.
A fish that bites its own tail bleeds mud.

Fabio, this passage and flow and writhing I’m thinking of
is the world: element, eruption: everything, nothing,
in the immense power.

From the rhythm: figures and the first creed,
and happiness, a lesson for the universe as it rolls
into time, pulling along its shell and ancient verse.

translated by Katie Silver and Rick London

poesia, poema

Olga Orozco- No Doors

With burning sands styling a number of fire over time,
law with a wild animal lurking danger from its burrow,
with vertigo looking up,
your love is kindled but a lamp in the middle of the night,
with small fragments of a world consecrated to idolatry,
with the sweetness of sleep with all your skin covering the cost of fear
in the shadow of leisure tenderly opened a range of celestial meadows,
did everyday loneliness I have.
My loneliness is made of you.
Take your name on your side of stone
in tense silence where they can play all the melodies of hell;
walk beside me with your empty step,
and has, like you, that look that I’m going to look farther each time,
yesterday to a glare that dissolves in tears, in ever.
The doors to my left as one leaves the heir to a
                   [Realm of anyone who goes out and never comes back.
And it grew by itself
feeding on these herbs that grow on the edges of memories
and on stormy nights produce mysterious mirages
scenes with the best bonfires fed fevers.
Well I’ve seen people with blurred malls who sacrifice love
-Invincible characters marble, blind-absorbed as the distance,
or deploy in the middle of a room that rain falling seaside
away in another part ¨,
where you will be filling the bowl with water a few years of neglect.
Sometimes blowing on me with a south wind
a stormy song that suddenly breaks into a broken throat groan of bliss,
or try to delete a piece of ragged hope
goodbye that you wrote with the blood of my dreams in all crystals
to smite everything I watch.
My loneliness is all I have of you.
Howl with your voice in every corner.
When named with your name
grows like a sore in the darkness.
And a sunset up in front of me
that cup of sky was the color of wet poplar and in which
                            [We have drunk the wine of eternity each day,
broke and not knowing, to open the veins,
for you were born as a god of his splendid duel.
And he could not die
and his look was that of a madwoman.
He opened a wall
and walked into this room with a room that has no outputs
and where you’re sitting, staring at you in another life like my solitude.

Alfonsina Storni – Running Water

alfosina storni

puppets very bold

sidewalk city flesh
tattooed by footsteps, rain
and spat out gum,
the night seemed so small
it could be contained in a can,
as walking
with hands held as consideration
more than love,
beneath our feet
the city, this beast
harbored many grudges
that seeded into nature
love affairs
side alley muggings
and falling down drunk,
when we found a moment
of thought connecting,
we spoke,
our arrangement was one
created from physical neglect
and no love or lingering passion
would occur,
yet we parted with difficulty
returning to the oblique swathe
of our normal lives,
brought a fear
neither of us could confront
yet truth would not let us
concede to the other

new york at night - vivienne gucwa

new york at night – vivienne gucwa

 

magpie tales statue stamp 185

 

aerial burden of the ox

with the old decades shown in the rain
burdening me with a dampness
remorse in it’s wanting has,
flesh colored dreams
drawn tight into deep constriction
the next day would be more relevant,
sipping a coffee cold at the edges
no plate on the mat
hunger not the issue here,
wet clothes painful to the bone
unnoticed by a vapor soul,
scented thoughts
as my mind peeled
drawn into segments pithy and secretive,
pieces i could look at
and not venture a taste
any sweetness gone
acrid juice spilling over lingering images
this fight so ancient
could break me down at the yoke
leaving a harvested husk
and no resonance,
only to be lifted skywards
coffee grew cold
mat still empty

Miguel de Unamuno – My Vulture / Mi Buitre

This ravenous vulture grim scowl
that devours me the fiery bowels
and my only constant companion
till my pain with his hooked beak.
The day we touch the last sip
I rush my black blood, I want
it leave me with him alone and landmark
a moment, no one as hindrance.
Well I want to win, doing my agony
as he my last stripping swallows
surprise in his eyes somber
look to see the fate that threatens
without this dam as satisfying
the terrible hunger that never goes out .

and in Spanish

Este buitre voraz de ceño torvo
que me devora las entrañas fiero
y es mi único constante compañero
labra mis penas con su pico corvo.
El día en que le toque el postrer sorbo
apurar de mi negra sangre, quiero
que me dejéis con él solo y señero
un momento, sin nadie como estorbo.
Pues quiero, triunfo haciendo mi agonía
mientras él mi último despojo traga,
sorprender en sus ojos la sombría
mirada al ver la suerte que le amaga
sin esta presa en que satisfacía
el hambre atroz que nunca se le apaga.

17 , 17 syllable American Sentences

Following a dVerse incentive i try the American Sentence a flourish of lines at 4am this morning hope they go down ok

1: his nose punched flat lips split pouted looking for a fight every night

2: a can of schlitz sunset and low slung impala remedy for loss

3: obstinate kisses infect toothache jaw ache headache neurology needed

4: motel marinade coated and baked off counted dollars and returned to the street

5: diamond finger tug gold band reminder these kisses where illicit

6: sat hunched on the toilet hand working the memory that he had betrayed

7: winters pale counterpane gave no shelter for the rabbit from predatory air

8: reasons could be found on the diminishing length of yesterdays words

9: dial the number wait for tone he would not answer he is long gone

10: jazz piano raw as her voice began to crack it was no longer 1954

11: seek the stars and they will not shine anticipating the moment to surprise

12: guitar strings strangle all chances of finding reconciliation

13: two finger pressure shudder she releases a sigh he was erased

14: bellboy at end of marble hall hear titans whisper demise of poor

15: grandpa’s hand once so steady gone leaves remember tobacco smell

16: over ocean swathe she watches vessel under pirates color sail

17 : amity beach july bathers swim children play mayor falters shark prowls